In a general sense, samādhi can describe a number of different meditative states. In the Mahāyāna literature, in particular in the Prajñāpāramitā sūtras, we find extensive lists of different samādhis, numbering over one hundred.

In a more restricted sense, and when understood as a mental state, samādhi is defined as the one-pointedness of the mind (cittaikāgratā), the ability to remain on the same object over long periods of time. The Drajor Bamponyipa (sgra sbyor bam po gnyis pa) commentary on the Mahāvyutpatti explains the term samādhi as referring to the instrument through which mind and mental states “get collected,” i.e., it is by the force of samādhi that the continuum of mind and mental states becomes collected on a single point of reference without getting distracted.

The capacity to accept or tolerate experiences which ordinary beings cannot tolerate. It is the preparatory step to profound insight into reality. It also refers to the third stage of the path of joining (prayogamārga, sbyor lam). It is also the third transcendent perfection, in which context it has been rendered here as patience.

See “five aggregates for appropriation.”

See “five aggregates for appropriation.”

A major śrāvaka disciple and personal attendant of the Buddha Śākyamuni during the last twenty-five years of his life. He was a cousin of the Buddha (according to the Mahāvastu, he was a son of Śuklodana, one of the brothers of King Śuddhodana, which means he was a brother of Devadatta; other sources say he was a son of Amṛtodana, another brother of King Śuddhodana, which means he would have been a brother of Aniruddha).

Ānanda, having always been in the Buddha’s presence, is said to have memorized all the teachings he heard and is celebrated for having recited all the Buddha’s teachings by memory at the first council of the Buddhist saṅgha, thus preserving the teachings after the Buddha’s parinirvāṇa. The phrase “Thus did I hear at one time,” found at the beginning of the sūtras, usually stands for his recitation of the teachings. He became a patriarch after the passing of Mahākāśyapa.

One of the five or six classes of sentient beings, into which beings are born as the karmic fruition of past miserliness. As the term in Sanskrit means “the departed,” they are analogous to the ancestral spirits of Vedic tradition, the pitṛs, who starve without the offerings of descendants. It is also commonly translated as “hungry ghost” or “starving spirit,” as in the Chinese 餓鬼 e gui.

They are sometimes said to reside in the realm of Yama, but are also frequently described as roaming charnel grounds and other inhospitable or frightening places along with piśācas and other such beings. They are particularly known to suffer from great hunger and thirst and the inability to acquire sustenance. Detailed descriptions of their realm and experience, including a list of the thirty-six classes of pretas, can be found in The Application of Mindfulness of the Sacred Dharma, Toh 287, 2.­1281– 2.1482.

See “four applications of mindfulness.”

A term for the apprehension of a subject, an object, and the relationships that exist between subjects and objects. The term might also be translated as “referentiality,” meaning a system based on the existence of referent objects, referent subjects, and the referential relationships that exist between them. As part of their doctrine of “threefold non-apprehension/non-referentiality” (’khor gsum mi dmigs pa), Mahāyāna Buddhists famously assert that all three categories of apprehension lack substantiality.

In some texts, four types of appropriation are listed: of desire (rāga), of view (dṛṣṭi), of rules and observances as paramount (śīla­vrata­parāmarśa), and of belief in a self (ātmavāda). The term nye bar len pa also means “grasping” and it was rendered as such when it refers to the ninth of the twelve links of dependent origination, between craving and becoming.

A buddha from the past.

An optional set of thirteen practices that monastics can adopt in order to cultivate greater detachment. They consist of 1) wearing patched robes made from discarded cloth rather than from cloth donated by laypeople; 2) wearing only three robes; 3) going for alms; 4) not omitting any house while on the alms round, rather than begging only at those houses known to provide good food; 5) eating only what can be eaten in one sitting; 6) eating only food received in the alms bowl, rather than more elaborate meals presented to the Saṅgha; 7) refusing more food after indicating one has eaten enough; 8) dwelling in the forest; 9) dwelling at the root of a tree; 10) dwelling in the open air, using only a tent made from one’s robes as shelter; 11) dwelling in a charnel ground; 12) satisfaction with whatever dwelling one has; and 13) sleeping in a sitting position without ever lying down.

A type of nonhuman being whose precise status is subject to different views, but is included as one of the six classes of beings in the sixfold classification of realms of rebirth. In the Buddhist context, asuras are powerful beings said to be dominated by envy, ambition, and hostility. They are also known in the pre-Buddhist and pre-Vedic mythologies of India and Iran, and feature prominently in Vedic and post-Vedic Brahmanical mythology, as well as in the Buddhist tradition. In these traditions, asuras are often described as being engaged in interminable conflict with the devas (gods).

A bodhisattva in the Buddha’s retinue.

In Buddhist literature, this is an epithet applied to buddhas, most often to Śākyamuni. The Sanskrit term generally means “possessing fortune,” but in specifically Buddhist contexts it implies that a buddha is in possession of six auspicious qualities (bhaga) associated with complete awakening. The Tibetan term‍—where bcom is said to refer to “subduing” the four māras, ldan to “possessing” the great qualities of buddhahood, and ’das to “going beyond” saṃsāra and nirvāṇa‍—possibly reflects the commentarial tradition where the Sanskrit bhagavat is interpreted, in addition, as “one who destroys the four māras.” This is achieved either by reading bhagavat as bhagnavat (“one who broke”), or by tracing the word bhaga to the root √bhañj (“to break”).

An old term for Mahāyāna corpus.

The dimension of a buddha that corresponds to relative truth and is perceptible to either ordinary beings (nirmāṇakāya) or sublime beings (saṃbhogakāya).

A king in Royal Mountain of Great Intelligence’s buddha realm.

A pure realm manifested by a buddha or advanced bodhisattva through the power of their great merit and aspirations.

This term refers to composite objects in the generic sense. In other contexts, it can also refer to “formations.”

The third link of dependent origination, the fifth of the five aggregates. In most Abhidharma accounts it comprises the six sensory consciousnesses (eye, ear, nose, taste, body, and mind), but in Yogācāra theory two more kinds of consciousness, afflicted (kliṣṭamanas) and storehouse (ālayavijñāna), are added. For the sixth consciousness, see also “mind consciousness.”

The ultimate meaning of a given Dharma teaching.

In Buddhist cosmology, it is our sphere of existence where beings are driven primarily by the urge for sense gratification.

Usually this term refers to a statement, or spell, meant to protect or bring about a particular result. Here however, the term also has the meaning of “recall” or “memory.”

The term “dharma” (chos) conveys ten different meanings, according to Vasubandhu’s Vyākhyā­yukti. It may mean the Buddhist teachings, the awakened qualities which buddhas and bodhisattvas acquire, phenomena or things in general, etc. In the context of this work, it was rendered as “Dharma” when it refers to the teachings, and in other contexts, rendered according to the specific meaning, namely as phenomena and qualities. See also i.4.

One of the subdivisions in the collection of dharmas that constitutes a Buddha, variously explained but usually more closely related to the aspect of ultimate truth.

A teaching or spiritual method by which the Dharma is understood.

One of the most reknowned of former buddhas.

One way of describing experience and the world in terms of eighteen elements (eye, form, and eye consciousness; ear, sound, and ear consciousness; nose, odor, and nose consciousness; tongue, taste, and tongue consciousness; body, touch, and body consciousness; mind, mental phenomena, and mind consciousness).

Correct view, thought, speech, actions, livelihood, effort, mindfulness, and absorption. These eight are part of the thirty-seven factors of awakening.

See “eighteen elements.”

The set of practices that lead to awakening, traditionally listed as thirty-seven.

The seventh link of dependent origination. The second of the five aggregates.

See “five aggregates for appropriation.”

The five aggregates (skandha) of form, feeling, perception, formation, and consciousness. On the individual level the five aggregates refer to the basis upon which the mistaken idea of a self is projected. They are referred to as the “bases for appropriation” (upādāna) insofar as all conceptual grasping arises on the basis of these aggregates.

The five degenerations are: (1) degeneration of life span, (2) degeneration of views, (3) degeneration of the afflictions (4) degeneration of beings, and (5) the degeneration of the era.

Longing for desires (kāmacchanda), malice (vyāpāda), sloth and torpor (styānamiddha), excitement and remorse (auddhatyakaukṛtya), and doubt (vicikitsā).

Faith, diligence, mindfulness, absorption, and insight. These are the same as the five strengths at a lesser stage of development. See also n.64.

Faith, diligence, mindfulness, absorption, and insight. These are the same as the five powers, at a further stage of development.

The first of the five aggregates. The third of the eighteen elements.

In Buddhist cosmology, the sphere of existence one level more subtle than our own (the desire realm), where beings, though subtly embodied, are not driven primarily by the urge for sense gratification.

Fourth of the five aggregates, second of the twelve links of dependent origination, and in the context of the aggregates sometimes also called “volitions,” “volitional formations,” or “compositional factors,” these are complex propensities that bring about action.

In Buddhist cosmology, the sphere of existence two levels more subtle than our own (the desire realm), where beings are no longer physically embodied, and thus not subject to the sufferings that physical embodiment brings.

Four contemplations on: (1) the body, (2) feelings, (3) mind, and (4) mental objects. These four contemplations are part of the thirty-seven factors of awakening.

The four progressive levels of concentration of the form realm that culminate in pure one-pointedness of mind, and are a requirement for cultivation of the five or six superknowledges, and so on. These are part of the nine gradual attainments.

Four types of effort consisting in abandoning existing negative mind states, abandoning the production of such states, giving rise to virtuous mind states that are not yet produced, and letting those states continue.

The four foundations or bases of miraculous power are: determination, discernment, diligence, and absorption. These are among the thirty-seven factors of awakening.

The four “main” or “great” outer elements of earth, water, fire, air, and (when there is a fifth) space.

This refers to the four confidences or fearlessnesses of the Buddha: confidence in having attained realization, confidence in having attained elimination, confidence in teaching the Dharma, and confidence in teaching the path of aspiration to liberation.

A class of generally benevolent nonhuman beings who inhabit the skies, sometimes said to inhabit fantastic cities in the clouds, and more specifically to dwell on the eastern slopes of Mount Meru, where they are ruled by the Great King Dhṛtarāṣṭra. They are most renowned as celestial musicians who serve the gods. In the Abhidharma, the term is also used to refer to the mental body assumed by sentient beings during the intermediate state between death and rebirth. Gandharvas are said to live on fragrances (gandha) in the desire realm, hence the Tibetan translation dri za, meaning “scent eater.”

In Indian mythology, the garuḍa is an eagle-like bird that is regarded as the king of all birds, normally depicted with a sharp, owl-like beak, often holding a snake, and with large and powerful wings. They are traditionally enemies of the nāgas. In the Vedas, they are said to have brought nectar from the heavens to earth. Garuḍa can also be used as a proper name for a king of such creatures.